Early Years
Was a scholarship kid in numerous winter “Saturday School” programs at Herron School of Art, Indianapolis.
Was a scholarship kid in numerous winter “Saturday School” programs at Herron School of Art, Indianapolis.
Spent seven summers racing quarter midget racecars. I learned to run a perfect circle pattern on an oval racetrack. This skill was an indication of eye, brain, and hand coordination useful to art making later in life.
1964 Quarter Midget Racing
Attempted to hitch hike to Woodstock, NY for the music festival. I was thwarted by a furious father who promptly sent me to Europe to make a thirty-day grand continental tour of every major city, art museum, and cathedral.
After seeing the work of Michelangelo and Da Vinci I got and kept a waitressing job for four years in order to get to art school.
1973-1977 I attended art school at Indiana University. I painted in oils for a year with my teacher Barry Gealt’s “throw away” brushes and his recommendation to use only four colors. Due to lack of funds, Professor Gealt said I could do “value studies” with cerulean blue, raw and burnt umbers, and titanium white. Invaluable…
Was drafted into ROTC to be on the IU Rifle team. Once again eye, brain, and hand coordination made being a marksman possible.
Self-portrait in four colors; cerulean blue, titanium white, raw and burnt umbers.
First oil in full color
Studied with American figure painter Isabel Bishop at Notre Dame South Bend, IN
First public exhibition of graphite drawings granted by Tom Schorgl of the South Bend Art Center, IN
Started Cooperative Gallery Aquinas in South Bend, IN ’79-81 with fellow artists
Gave birth to only child Ashley Constance Edwards Crofoot in Greenwich, CT
Back to Indiana
Painted every summer on the Greek Island of Samos.
Was inspired by and observed Aristoteles Solounias and his narrative figure style of painting.
1993-94
Studied at the Art Students League in NYC.
Established studio in the historic Stutz auto factory in Indianapolis.
“The Gods” the very first oil painting on linen with clear gesso
Fellowship Grant to the Vermont Studio Center
Gained very first national gallery representation through Sargent’s Fine Art in Lahaina, Maui
Sargent’s Fine Art Gallery in Maui would host Openings for me every winter. I would spend enough time there to paint during my visits. I learned a great deal about historical body tattoos of the South Pacific and began using those patterns in my paintings. The figure is purely defined by those very patterns. I launched a series of fourteen canvases at a solo exhibition called “Tattoo You” in Santa Fe at Horizons Gallery 2002.
Went to left coast and established a studio in Laguna Beach, CA
Advent of using the “redstring” as a metaphor for our attachments and entanglements came from Laguna Beach inspiration.
Solo Exhibition at Marion Meyer Contemporary Art in Laguna Beach
Mixed media with cold wax, oils, and metal leaf. The figure remains but in oil sketch form. The beauty of the linen canvas plays a significant role in the color palette.
mixed media; oils with paper collage
Signed contractual agreements with artist agent Rhonda Long Sharp of Long Sharp Gallery
International Fellowship to Schildersweek Holland
Another day in the studio
Morning Palette
“Upstream” was the first of a series where I deliberately omitted the presence of the figure.
Afternoon Palette
“24 hours/3rd Shift” the first of a series of oil paintings with embedded video
Solo show in Detroit with Long Sharp/Curis Gallery
Solo Show Newport, RI on yacht
Opening SCOPE Miami
Bill & Marie Kennedy at Art Basel ‘12
Alliance with Animamus Art Salon in Brooklyn
A Sunday in the studio
“Blame & Fault in America” series begins
Recipient of Creative Renewal Fellowship through the Eli Lilly Foundation of Indianapolis
Indianapolis Studio Mini Retrospective
Paintings get larger and larger.
Exhibited Digital Media pieces Bang-Bang ! and Rose Colored Glasses
Constance’s Digital Art Media masterwork, Bang Bang!, was placed on the Art Prize 8 Juror Shortlist Time-Based category. Constance’s piece was on exhibit in the City Water Building located in downtown Grand Rapids,M.I.
Exhibited Digital Art Media at Long-Sharp Gallery New York Project Space
A visitor stands in front of Constance Edwards Scopelitis’ Digital Art Media “Bang Bang” which was on display during the Indianapolis Art Center’s 14th Annual Fundraising Gala.
Constance Edwards Scopelitis attends her group exhibition in Delray. FL at the Cornell Art Museum.